Some folks have wondered how I did the ‘force bubble’ in my previous piece, so I decided to create another wallpaper using it and give a link to the tutorial I used create the bubble, which can be found Here. The tutorial goes into a lot of detail and is somewhat different than the overall effect that I use, but if you follow steps 6 through 14, you can achieve the same style.
Here is the finished piece:
In this piece, I wanted to create a foreshadow into the future.
Thanks to B-Squared-Stock on Deviant art for the stock desert scene, found here.
The city scene can be found here.
April 29, 2009 at 10:37 am | Design, Tutorials | 1 Comment »
Have you ever looked at one of those cute cards that have the two little children being portrayed as adults? One of the kids usually has some kind of flowers, usually roses. In full color, they really don’t have that much impact on the viewer, but the real effect that draws you in is that they tend to be done in black and white. However, the flowers are colored still.
Many Photoshop users already understand how color substitution works, but for those of us that do not, getting this type of effect can be a daunting task. Thankfully, this type of effect can easily be done in just a few simple steps.
In today’s tutorial, we’ll be exploring the art of color substitution using adjustment layers, with the intent of course to preserve the pixels in the original picture.
Here is what our final result will look like:
Step 1:
Select the picture that you want to create this effect on. I chose a lovely picture of a rose and some baby’s breath that I found on http://www.sxc.hu.
Step 2:
Open the photo in Photoshop and while pressing Alt, double click on the layer to unlock the layer. Add a Hue and Saturation layer, and reduce the Saturation to -100 as shown below. This essentially removes all of the color information from the picture, but because we created a layer mask to do this, the integrity of the original layer is left intact.
Step 3:
Click on the mask portion of the Hue & Saturation layer. Select the brush tool and remembering the rule “White allows, Black suppresses” unmask the portion of the picture that you would like to allow the color to show through.
Step 4:
Finally, add a Color Selection layer. Notice that there is a drop down that you can change all the different colors with. The only one we need to be concerned with is the Reds. Adjust the values as shown below.
There you have it! A desaturated ‘old style’ photograph. Feel free to stylize the photo in different ways to achieve different results. I hope you enjoyed today’s tut!
April 6, 2009 at 10:34 am | Design, Tutorials | 2 Comments »
Man has always been fascinated with space and everything in it. Planets, stars, black holes, solar systems…these objects have been the subject of many forms of art. With Photoshop, designing space art has never been easier. Today’s tutorial is actually quite simple.
I’m going to show you how to create an atmosphere that one might see around a planet. Keep in mind that this technique can be used to create a really nice glow effect for a lot of different projects as well.
To start off, create a new photoshop document. Make it 1000 pixels wide by 1000 pixels high.
Set your foreground color to black and with the paint bucket tool, fill the current layer with black. Create a new layer, and call it Planet.

Select the Ellipse Marquee tool and holding down the shift key, drag a fairly good sized circle. Fill it with black. You won’t see the circle because we’ve got a black circle on a black background. If you look at the layers window, you can see that there is indeed a black circle.

Now click on the Layer Styles button. Use the values in the screen shots below to add an Outer Glow and an Inner Glow.


Right click over the FX icon in the Planet layer and click on Create Layers. This takes the effects that we added and makes them into separate layers so we can more easily manipulate our atmosphere effects.

Add a Layer Mask to each of the effect layers, and remembering the rule “white allows, black suppresses” mask out a portion of the glows as shown.

Congratulations, you have successfully created a dark planet with atmosphere. There are other things you can do such as adding texture to the planet or creating a star field that can be placed behind your planet to give it a more natural setting. In the one below, I toned down the outer glow a bit and created a textured planet that looks more natural.

For more tutorials and other design tidbits, check back often!
March 27, 2009 at 9:37 am | Design, Tutorials | 3 Comments »
The concept of creating a custom brush in Photoshop is quite simple. Most of the work involved is nothing more than creating your brush! What I’m going to show you today is not going to be fancy, nor time consuming. So without further adieu, let’s do this thing!
Create a design in Photoshop that you would like to be able to easily replicate or that you would like to use as a brush. There are a couple things to keep in mind here:
Ok, so open a new Photoshop Document. Set the size to 500px wide by 500px high. We want the resolution of this brush to be really good, so set the resolution to 300 pixels/inch.

new document
Now fill the current layer with white, and then create a new layer. Create your brush design in blacks and different scales of grey, depending on what portions you wish to have transparent. I went with a simple zombie style smiley face in black and white with no transparent pieces.

braaaains!
Now comes the fun part. Click on Edit > Define Brush Preset. In the window that pops up, give your brush a descriptive name, then click OK.

Name it something good!
Now your brush is set. Go to your brush tool and you can now select the new brush that you created. Feel free to play around with it in a new document.

select the brush, and use it!
Finally, we want to be able to use our new brush later and just in case we override our current palette of brushes, we need to save our brush set. So open your brush palette, and open up the brush menu, in the screenshot the brush menu is opened by clicking the circle with a black arrow in it.

save the brush!
In the brush menu, choose Save Brushes. Name it something that you’ll remember and click Save.
Congratulations! You’ve created a custom brush and saved a brush set. You can now create many more brushes that you can use anytime you need.
Thank you for going through this tutorial. Please check back often for more fantastic Photoshop tutorials.
March 19, 2009 at 9:25 am | Design, Tutorials | No Comments »
I learned early on the value of preserving pixels. Often I would be working on a project, carelessly adding elements into a piece only to discover that I wanted to go a different direction. What I failed to realize at the time was that unless you are consciously using pixel saving methods, it is very difficult to go back. With Photoshop, you generally only have up to 20 history points that you can go back to. (you can set this value higher in Edit > Preferences)
So if you are doing a lot of digital painting or drawing, or you’re messing around with blending options…those 20 spots of history can go really fast. This is why the art of preserving pixels is so important. There are a few methods you can use to preserve your pixels, and if you’re of a mindset to use them often, it can save you time and keep your original materials from being destroyed if you were to accidentally save over them.
In today’s tutorial, I’ll go over the methods that I use the most.
1. Save a copy. This method is literally the easiest possible way to preserve your original pixels. If you are working with original .jpg files, open the original and immediately save it as a photoshop document (.psd). This can help to prevent data and pixel corruption of the original files. The down side to this method is that it can start to take up a lot of space on your hard drive. With the size of hard drives growing rapidly, this is rapidly becoming a null issue.
2. Snapshot tool.

The snap shot tool
3. Masks
This is perhaps my most favorite pixel saving method. There are a few different ways to go about using this particular tool. The simplest mask is a Layer Mask and is located as you see in the screen shot.

The tool is located in the bottom of the screen shot.
When you click the button, Photoshop places a blank mask layer on the same layer that you were working with. As you can also see in the screen shot, there is a white rectangle located next to the current layer you were working with.
Keep in mind a very simple rule when working with the Layer Mask tool:
White Allows. Black Suppresses
When you implement a Layer Mask, it automatically selects the mask portion of the layer. If you have doubts, check that there is an extra box around that white rectangle, and not the original layer. If you click once on either layer, you can see how it shows the selection with a thin white rectangle.
Now to begin using the Layer Mask, select a brush and start painting over the portion of the project you wish to hide. Remember the rule? White Allows. Black Suppresses When you paint in BLACK it will cover over the layer you are working on. When you paint in WHITE, it will reveal whatever you have painted on.

Mask Example
You can see here how I’ve used a Layer Mask to paint over the castle in the picture. I’ve also used the layer mask to get rid of some jagged looking white edges when I took out the sky background in the picture seen below.

You can see the jagged white edges here.
I used the layer mask to preserve the entire picture so that I could go back at any time and not have to redo everything all over again. The white jagged pieces as well as the original sky background is still there. It’s just hidden from view.
You can do this with adjustment layers (the 2 tone circle button next to the Layer Mask button) as well to adjust or change colors in a given layer without destroying the pixels of your original materials.
These techniques can really save you a lot of time and preserve the original materials you may be working on. Keep checking back from time to time, there is a LOT of different techniques and tools in Photoshop that can make your life that much easier.
March 17, 2009 at 10:27 am | Design, Tutorials | No Comments »
With the advent of digital photography, it has never been easier to get stunning photos at a moment’s notice. Many people these days at least carry a cellphone with a built in digital camera. Granted the photos taken with most of these camera phones do not have the kind of quality you would see in National Geographic, but you can still get some decent photography out of them.
When you combine digital photography with Photoshop, you get something else entirely. A whole world opens up with even just a few simple clicks.
I’m going to outline a simple technique that I use that often provides a lot of rich color or a few other effects. Keep in mind that I’m going to go through these steps using the shortcut keystrokes in Photoshop.
First things first, you need to understand a little bit about digital picture formats. The most common is .jpg. Other formats include .png, .gif, .psd and .tif. Here are the differences:
Now that we understand a little bit about digital picture formats, let’s get to work!
Open up the photo that you’d like to work with. I chose this photo from one of my favorite stock photo websites.

lovely lady
Now, we’re going to change the colors a little bit to make this picture a tad more appealing. We should first save it as a .tif file so that we can preserve our photo for future use.
Press Control + Shift + S to ’save as’, name your file whatever you wish, then from the drop down menu select the .tif format.

Now for the fun stuff!
Select the black arrow tool, and click on the picture to make sure we have it selected. Now duplicate the picture using Control + J. This creates a new layer that holds an exact duplicate of the photo.

duplicate
Just above the layer, you can see a drop down menu with the Normal option selected. This is the Blending Options menu. Click on the drop down menu and select Overlay. This will change the photo, and as you can see, it made the colors a lot more vivid. The skin tones are blown out and it doesn’t look that great right now. That’s ok, because we’re not done yet.
Down at the bottom of the layers box, there are several buttons we can click on. We are looking for the Adjustment Layer option.

adjustment layer
Click on the Adjustment Layer button and then click on Hue / Saturation. In the window that opens up, slide the Hue / Saturation option to the left, about -28. This will subdue the overlay just a little and give us just the right look.

hue & saturation
To the right of the blending options menu, there is an option called Opacity. Select the picture layer and reduce the opacity to about 67%. Then select the Adjustment layer we made previously and press Control + Alt + G.

Adjustment Layer 2
This sets the Adjustment layer to only take effect on a single layer and not the whole deal. Finally, change the opacity of the Adjustment layer to about 75%.
As you can see, we’ve taken the photo of this lovely lady and added a little warmth to the photograph. It’s the simple manipulations like these that can take an already great looking photograph and make it look so much better.
Please check back from time to time, there are so many neat and interesting things to do with Photoshop. We’ve only seen a very small portion of what Photoshop can really do.

voila!
March 6, 2009 at 9:11 am | Design, Tutorials | 1 Comment »